Starting life as a leafleting campaign to unionise the cleaners, the film snowballed into a four-year project, resulting in a 90 minute piece that in 1975 at its time of release, baffled its subjects.
All in Article
Starting life as a leafleting campaign to unionise the cleaners, the film snowballed into a four-year project, resulting in a 90 minute piece that in 1975 at its time of release, baffled its subjects.
The Kogi are the last surviving civilisation from the world of the Inca and Aztec. Their cities lie untouched, deep in the jungle of the world’s highest coastal mountains, an area nicknamed “hell” by local Colombian authorities and cocaine-farmers alike. They’re now communicating with the civilised world to deliver a dire ecological warning.
Every day, hundreds of millions of tweets, Instagram posts, Facebook updates and Youtube uploads make their way online. Inevitably, a significant portion of these uploads will be reported for violating a platform’s rules. But what happens next? Who decides what should be deleted?
‘Palestine Underground’ opens to footage of DJ Oddz’ daring ascent of the 8 metre wall standing between him and the venue he’s due to play at.
When we asked director Toby Brusseau if he ever worried for Mike’s life while shooting ‘Rocketman’, his reply was “Absolutely. All the time. Not only for Mike but for the crew as well”.
Jade Goody’s story is nothing short of a modern fairytale. The dystopian ups and downs of her short life lived in the spotlight are brilliantly recounted in Channel 4’s breathtaking 3-part series “Jade: The Reality Star Who Changed Britain"
While we often disregard the latest teen boyband obsessions as a modern and commercial scourge, director Jessica Leski’s comprehensive and touching study of the phenomenon compels the viewer to rethink.
CK Goldiing is a writer and filmmaker from Sheffield, UK who got in touch with Documentary Weekly to submit his rivetingly feel-good first short film, ‘61 HUGS’. After helplessly falling for this gem of a film, we set out to speak to the man himself.
2019 was another bumper year for the festival - here’s a summary of our best bits and films to look out for this year.
Late last year, Documentary Weekly was approached by the Southern Documentary Project filmmaker John Rash, who submitted to us a premiere of his first feature film Negro Terror. Now, tragically, his film has taken on far greater importance.
