Opening the 2026 edition of FIPADOC is a perfectly unique first feature about one artist’s pursuit of a singular experience: to sing a duet with a whale.
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Opening the 2026 edition of FIPADOC is a perfectly unique first feature about one artist’s pursuit of a singular experience: to sing a duet with a whale.
In a Britain increasingly divided by culture wars and identity politics, Blue Has No Borders tries to make sense of the decade-long identity crisis that followed Britain’s departure from the European Union. We interviewed Jessi Gutch ahead of the World Premiere of her film Blue Has No Borders at Sheffield DocFest.
After moving to Brazil aged 19 to pursue her love of graffiti, filmmaker Sissel Morrel Dargis discovered another of Brazil’s underground art movements. Over the next decade, she became deeply embedded in the world of baloeiros, clandestine artists who, operating from the favelas of Rio de Janeiro and São Paulo, spend months - even years - building gigantic hot air balloons.
At Visions du Réel, Doc Weekly interviewed director Denis Côté about his latest film, Paul, which has been garnering a lot of attention on the festival circuit since its world premiere at Berlinale earlier this year. Denis Côté's new documentary follows Cleaning Simp Paul, a man and online persona who's path out of depression and social anxiety has been subservience to dominant women as a cleaner.
Doc Weekly interview Ross McClean for the World Premiere of his short film No Mean City in competition at Visions du Réel, a film that questions that uses the Belfast’s switch from sodium to LED lighting to question the city’s wider transformations.
When Patricia Franquesa was blackmailed with intimate photos after her laptop was stolen, she faced an impossible choice. My Sextortion Diary is a firsthand account of life under digital ransom, told exclusively through the very technology that ensnared her.
Doc Weekly was in Biarritz to interview director Lee Shulman for the premiere of I Am Martin Parr at Fipadoc 2025, a rare portrait of the unassuming photographer who, under cover of an irresistible sense of humour has impacted his art form beyond recognition.
What will the impact of Covid-19 be on film festivals after the crisis? Is 2020 an existential moment for the format? Does it need a rethink? We spoke with Sheffield Doc/Fest Director Cintia Gil.
Episode 10 of our Quarantine Editions comes to you from filmmaker Cyrus Stowe’s stoop in Brooklyn, New York.
Today’s What Are You Watching, Quarantine Edition comes from Güven in Ismir, Turkey.
BAFTA-Winning director of “73 Cows” and “Test Subjects” Alex Lockwood joined us for episode 7 of What Are You Watching, from his home in Birmingham for the our latest Quarantine Edition.
Callum’s last watch was “Disconnected”, a timely short on loneliness, his favourite true crime is “OJ, Made in America” and next he’s watching “Still Bill” to find out more about the late legend Bill Withers, sadly a recent victim to Coronavirus.
For our second episode we met Lucie while in Coronavirus quarantine at her parents’ house. She suggests listening to the BBC's "Tunnel 29" podcast, reckons she was unduly manipulated by the "Kony 2012" documentary and most of the documentaries she's seen have made her cry.
For our first episode of “What Are You Watching?” we met Matt, who had his mind blown by the ‘Zeitgeist’ movies as a kid, was inspired by the cult film ‘American Movie’ and reckons ‘The Greatest Movie Ever Sold’, a film about product placement that is funded by product placement, is the most “WTF” doc he’s ever seen.
At this year's International Documentary Film Festival Amsterdam (IDFA), we sat down with directors Rica Saito and Caio Castor to discuss their short film “Batalha” or “Battle”.
‘Honeyland’ won big at Sundance this year and is regarded as one of the best documentaries of 2019. The film has been especially praised for its cinematography. We met with cinematographer Samir Ljuma to find out how they did it.
“it’s obvious how it helps people with anxiety, depression, addictions and pretty much every condition.” We spoke with Patrick Mclennan, Co-Director of The Ponds, on the mental health benefits of outdoor swimming and how to get involved.
Neither would we… But hot off the back of his debut film “61 Hugs”, CK proves us wrong yet again with his new series “The Bench”, out this week. Filmed over 7 nights, CK sat on a bench in Sheffield late at night and asked passersby to join him for a chat - the results will surprise you! Watch our interview with him to mark the series’ release.
CK Goldiing is a writer and filmmaker from Sheffield, UK who got in touch with Documentary Weekly to submit his rivetingly feel-good first short film, ‘61 HUGS’. After helplessly falling for this gem of a film, we set out to speak to the man himself.
Documentary Weekly met with musician and filmmaker Elizabeth Sankey to chat about her new film, ‘Romantic Comedy’, the day after it’s live-scored UK premiere at Sheffield Doc/Fest.